AATA Ambassadors

“Keep moving forward”: Kathryn Morgan on weight, roles, dancing

In Pointe Magazine, October 13, 2020, ballet soloist Kathryn Morgan discusses her roles and experiences at the Miami City Ballet, including why she left.
https://www.pointemagazine.com/kathryn-morgan-advice-2648194040.html
See also the mentioned YouTube video in the editor’s note, as well as the “related links” that follow the article.

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Kathryn Morgan Opens Up About Body Image in Ballet

Kathryn Morgan is an Athletes and the Arts Ambassador…
From Dance Magazine
Kathleen McGuire | Mar 13, 2020
Kathryn Morgan is on a mission to change the dance field. The Miami City Ballet soloist and March Dance Magazine cover star appeared on the “Today” Show on February 27 where she openly discussed the challenges of body image and mental health in dance.
Two days later, Morgan took to her own YouTube channel to dig deeper on the subject. She shared …

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AATA Ambassador – Kathryn Morgan

Kathryn Morgan began studying ballet at age three at Mobile Ballet in her hometown of Mobile, Alabama. She attended the summer program at the School of American Ballet in 2004 and enrolled as a full time student that fall. Kathryn joined New York City Ballet as an apprentice in June of 2006 and became a member of the corps de ballet of the Company in February of 2007. In October 2009, Kathryn was promoted to soloist. Kathryn left the company due …

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AATA Ambassador – Amy Yakima

Biography
Amy Yakima is one of the most popular and accomplished dancers in the United States. She started her training at age 3 at Noretta Dunworth School of Dance in Dearborn, MI. At age 11, she scored the coveted role of “Clara” in the Radio City Christmas Spectacular starring the Rockettesin Detroit, Michigan and New York City. After graduating high school in Northville, Michigan, Amy attended Marymount Manhattan College on scholarship for 1 year in New York City, then toured …

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AATA Ambassador – Jon Batiste

“You play in a bar room, people are smoking, there are long hours, practicing, you carry equipment to your gig. The idea of all of this (health needs) is foreign to the music community, from the conservatory level to the level of street performers and everything in between.
 
I believe music is healing and if you want to heal other people, you’ve got to heal yourself first. The healthier we are as musicians and the arts community in general, …

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